Gabriele di Franco // Francesco Negro
© Federico Fiordigiglio

Gabriele di Franco // Francesco Negro

ABOUT THE DUO

Gabriele di Franco and Francesco Negro are a duo of composers and musicians originally from Puglia (Italy). Their musical history is a fusion of two distinct paths: while Gabriele spent over a decade abroad and currently lives in Belgium, Francesco chose to root his artistic path in their homeland.

Their collaboration was born from the desire to explore the blending between the acoustic timbres of the piano with the sounds of a semi-acoustic guitar, which often drifts into totally electronic sounds.

In 2022 they released their first album Synolon (Workin’ Label 22 – IT), in which they channeled their musical research into writing strongly composed music, but which often opened up to moments of free improvisations.

“Synolon” sees them on an extensive tour between Italy, Belgium, and Germany, and “Acqua“, the album’s opening track, was awarded at the 1st Ise-Shima International Popular Music Composition Competition in Japan.

August 2023 sees them return to the studio, ready to create their second recording work entitled “Cantabile“.
CANTABILE will be published in autumn 2024 by the Japanese label Da Vinci Records.

ABOUT CANTABILE

Cantabile is the second album by the Italian-Belgian duo of Gabriele di Franco and Francesco Negro.

Cantabile is a quiet journey that continues the exploration begun on their first album (Synolon), but greatly accentuates Gabriele and Francesco’s passion for melody and lyricism. Indeed, it is no coincidence that the album’s only guest is the Spanish singer and composer Vanesa Gil Diaz, who joins the duo on two splendid compositions ‘At The Border’ and ‘Dopo Tutto’. But the singability element remains strong throughout the album.

Acoustic piano timbres mingle with the sounds of a semi-acoustic guitar that modulates to pure electronics. This musical research has led Gabriele and Francesco to explore new timbre combinations, generating a sound that, although strongly rooted in jazz, is not afraid to steal sounds and shapes from improvised music, electronics, and pop.